I integrate painting and photography into one image to go beyond the pictorial experience and play with the juxtaposition of reality and illusion. The works are based on spontaneous snap-shots gathered from my daily walks in Banff, unavoidably featuring iconic landmarks such as Mt. Rundle often together with details of the built environment. I edit and manipulate the image before painting and drawing into it with pastel, ink, charcoal and wax. This work is not literal landscape. I engage with drama and light, the clash of weather systems (pushing plausibility), references to 19th C. Romantic landscape techniques, in addition to employing exaggerated form (steeper roof pitches and compressed mountain tops). Within a 21st C. context, this powerful combination invites evocations of moody sublimity, contemplation of the art history of landscape, as well as introspection of our reactions to environment – dramatic or otherwise.
I create artwork in locations where weather systems clash and evolve into subject matter for works of high drama and intrigue. On May 1, 2016 a forest fire began to engulf the community of Fort McMurray and its surroundings, eventually affecting approximately 590,000 hectares (1,500,000 acres). It was finally declared under control on July 5, 2016.
Attracted to the media coverage phenomenon, with its fervid and intense imagery, I was prompted to explore my fascination with the televised images through my own vocabulary. To do so, I painted and drew, using traditional materials such as pastel, ink, charcoal and wax, on digitally printed TV screen shots that were edited and reformatted. One could consider this layering as a means to create artistic "snapshots" of the event rather than being a literalistic depiction. Working with traditional materials and digital techniques the images depict an engagement with the visual magnitude of rogue flames and the resulting raw energy of sublime, swelling clouds. The “Boreal Smoldering Series” not only renders our mind’s susceptibility and compulsion to witness the results of the awesome natural phenomenon of a forest fire unleashed on a grand scale but also helps to underscore the continuing vulnerability of the boreal forests under threat from human and climactic interventions.
“I’m interested in idealism, which had to do with the perfect mountains I was drawing….What are the models that we look at, and what are the measures that we have or the ideal that we aspire to, or are burdened by?”
The Banff Portraits of Allan Harding MacKay are photographed faces partly obscured by built up surfaces of charcoal, chalk pastel, wax, ink, and oil wash. They evoke a sense of mystery, ambiguity and instinctual edge. Their gentleness effect an unexpected sense of depth.
Allan Harding MacKay (AHM) has, over the span of his visual arts career, accumulated extensive and multifaceted credentials as professional artist, gallery director, curator and arts administrator.
Born in Charlottetown, Prince Edward Island, he has been a practicing artist in various media since graduating from the Nova Scotia College of Art in 1967. Mixed Media portrait, landscape, figurative and video works have occupied a major part of his interests through his artistic career. AHM served as a war artist with the Canadian Department of National Defense on two occasions: Somalia in 1993 and Afghanistan in 2002.
AHM has served as visiting artist, resident artist and lecturer at several Canadian universities, colleges of art, public galleries and national conferences, including the Banff Centre. He has been awarded numerous artist grants by the Canada Council for the Arts, Ontario Arts Council and Alberta Foundation of the Arts. In 2008, the artist was inducted into the Royal Canadian Academy and received a Kitchener Waterloo Visual Arts Award.
The artist’s solo and group exhibition history is extensive, both nationally and internationally. His work is found in public collections including the Canada Council Art Bank, National Gallery of Canada, Canadian War Museum, Confederation Centre Art Gallery, Art Gallery of Nova Scotia, Art Gallery of Alberta and Kunstmuseum Bern Switzerland as well as corporations and private collections in Canada and Switzerland. He has created four public art works located in Kitchener and Toronto.
He presently resides and maintains a studio in Banff, Alberta.