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M. Kathleen Cardiff CPE, ASA |
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printmaker
b.1913
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| Driftwood, Rocky Mountain House, 1956 |
| silkscreen/paper, 3/19 |
| 8x10" |
| Note: inscribed Cardiff '56 l.l., titled l.l., numbered,
signed, dated l.r.; exhibited at Alberta Jubilee Auditorium, Edmonton
Exhibition of Painting, Prints, and Photography April 28 - May 4,
1957. Dated verso: March 30, 1957. |
| $525.00 CDN
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Biography
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| Along with other early
printmakers such as George Weber (1907-2002) and Annora Brown (1899-1987),
Kathleen Cardiff helped form the strong foundation of today’s
printmaking practice in Alberta.
She attempted to catch the feeling of the land and its features;
she used the print medium to give expression to her art.
One of Cardiff’s favorite motifs is the close up view of tree
trunks and their relation to the landscape.
Her love of nature is readily apparent in her work.
She worked with many printmaking techniques, for example, in the
early 1950s, using the linocut technique, she was involved in printing
Christmas cards.
But the majority of her work was in serigraphy; she learned
silkscreen and serigraphic techniques from George Weber in 1954.
She stopped making prints in 1977 after having done 129 editions
with a total of 1039 prints using almost all of the basic printmaking
techniques.
Unbeknown to Cardiff, Weber
submitted one of her early silkscreen prints to the annual Canadian
Society of Painters, Etchers, and Engravers (CPE) exhibition where it was
accepted and Kathleen became a long-time member of the organization.
She was one of the founding members of the Western Chapter of the
CPE. George
Weber and James Agrell-Smith, another prominent Alberta printmaker, were
the first president and secretary respectively.
Kathleen Cardiff lived in Edmonton until 1959, after which she
moved to Toronto where she became very active with the CPE, serving as the
last president (1974-1976) before it amalgamated with the Canadian Society
of Graphic Artists (CSGA). Kathleen was a member of the Alberta Society of Artists from the 1950s to the 1980s.
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